When was the doctrine of affections popular?

When was the doctrine of affections popular?

Introduction. The doctrine of the affections—also known as the doctrine of affects, doctrine of the passions, theory of the affects, or by the German term Affektenlehre—was a theory in the aesthetics of painting, music, and theater, widely used in the baroque era (1600–1750).

What were affections in the Baroque period?

Doctrine of the affections, also called Doctrine Of Affects, German Affektenlehre, theory of musical aesthetics, widely accepted by late Baroque theorists and composers, that embraced the proposition that music is capable of arousing a variety of specific emotions within the listener.

Who came up with the doctrine of the affections?

43 In the height of the baroque era, René Descartes published his important treatise Les passions de l’âme (1649), which detailed a systematic theory of the affections.

What is the doctrine of the affections quizlet?

What is the doctrine of the affections? The Baroque inherited from the Renaissance an impressive technique of text painting, in which the music vividly mirrored the words. It was generally accepted that music ought to arouse the emotions, or affections – joy, anger, love, fear, or exaltation.

When did the classical era take place?

The dates of the classical period in Western music are generally accepted as being between about 1750 and 1820.

When did the Baroque era take place apex?

The Baroque period of music occurred from roughly 1600 to 1750.

What answer best describes the doctrine of affections?

Answer Expert Verified. The Doctrine of the Affections is best described as a Baroque idea that as many feelings as possible should be communicated in a piece of music. There are six basic affects, according to Rene Decartes: admiration, love, hatred, desire, joy, and sorrow….

Is a suite a collection of dances from the classical era?

A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude, by the early 17th century.

Which of the following was not an important keyboard instrument in the baroque?

Which of the following was NOT an important keyboard instrument in the Baroque? A keyboard instrument in which the strings are plucked by quills is: the harpsichord. A fugue is a contrapuntal composition in which a single subject is the focal point, thus unifying the work.

What century was the Baroque era?

The Baroque period refers to an era that started around 1600 and ended around 1750, and included composers like Bach, Vivaldi and Handel, who pioneered new styles like the concerto and the sonata. The Baroque period saw an explosion of new musical styles with the introduction of the concerto, the sonata and the opera.

Why is this particular time period known as the Classical era?

(also known as the Classic era) is generally understood to be the time period when the “classic” works of the standard repertory were composed. The general labeling of music as “classical” may indicate the influence and importance of the composers who produced new pieces during this period from 1750 to 1830.

When did the Baroque era take place?

The Baroque is a period of artistic style that started around 1600 in Rome , Italy, and spread throughout the majority of Europe during the 17th and 18th centuries. In informal usage, the word baroque describes something that is elaborate and highly detailed.

What is the meaning of the doctrine of affections?

The Doctrine of Affections. Introduction. The doctrine of the affections—also known as the doctrine of affects, doctrine of the passions, theory of the affects, or by the German term Affektenlehre—was a theory in the aesthetics of painting, music, and theater, widely used in the baroque era (1600–1750).

What was the doctrine of the affections in Baroque music?

Doctrine of the affections. Doctrine of the affections, also called Doctrine Of Affects, German Affektenlehre, theory of musical aesthetics, widely accepted by late Baroque theorists and composers, that embraced the proposition that music is capable of arousing a variety of specific emotions within the listener.

What are the six basic affects of affection?

René Descartes held that there were six basic affects, which can be combined together into numerous intermediate forms: 1 Admiration (admiration) 2 Amour (love) 3 Haine (hatred) 4 Désir (desire) 5 Joie (joy) 6 Tristesse (sorrow)

What did Lorenzo Giacomini mean by the term affection?

Lorenzo Giacomini (1552–1598) in his Orationi e discorsi defined an affection as “a spiritual movement or operation of the mind in which it is attracted or repelled by an object it has come to know as a result of an imbalance in the animal spirits and vapours that flow continually throughout the body.”